For the magazine's centenary celebration, an anthology of pieces from the early golden age of Vanity Fair. Editor Graydon Carter introduces these fabulous pieces written between 1913 and 1936, when the magazine published a murderers' row of the world's leading literary lights. It features great writers on great topics, including F. Scott Fitzgerald on what a magazine should be, Clarence Darrow on equality, D. H. Lawrence on women, e.e. cummings on Calvin Coolidge, John Maynard Keynes on the collapse in money value, Thomas Mann on how films move the human heart, Alexander Woollcott on Harpo Marx, Carl Sandburg on Charlie Chaplin, Djuna Barnes on James Joyce, Douglas Fairbanks, Jr., on Joan Crawford, and Dorothy Parker on a host of topics ranging from why she hates actresses to why she hasn't married. These essays reflect the rich period of their creation while simultaneously addressing topics that would be recognizable in the …
For the magazine's centenary celebration, an anthology of pieces from the early golden age of Vanity Fair. Editor Graydon Carter introduces these fabulous pieces written between 1913 and 1936, when the magazine published a murderers' row of the world's leading literary lights. It features great writers on great topics, including F. Scott Fitzgerald on what a magazine should be, Clarence Darrow on equality, D. H. Lawrence on women, e.e. cummings on Calvin Coolidge, John Maynard Keynes on the collapse in money value, Thomas Mann on how films move the human heart, Alexander Woollcott on Harpo Marx, Carl Sandburg on Charlie Chaplin, Djuna Barnes on James Joyce, Douglas Fairbanks, Jr., on Joan Crawford, and Dorothy Parker on a host of topics ranging from why she hates actresses to why she hasn't married. These essays reflect the rich period of their creation while simultaneously addressing topics that would be recognizable in the magazine today, such as how women should navigate work and home life; our destructive fascination with the entertainment industry and with professional sports; the collapse of public faith in the financial industry; and, as Aldous Huxley asks herein, "What, exactly, is modern?"--From publisher description.
Review of 'Bohemians, bootleggers, flappers, and swells' on 'Goodreads'
4 stars
Didn't read all of it, just the profiles, essays, poetry, and stories I thought I'd find interesting. 4 stars, as I have no doubt the editors were judicious and careful about what to include as a time capsule, but I read maybe 65% of it. Some of the prose was drier than expected (e.g. Stephen Leacock, Douglas Fairbanks), and some more alluring (Paul Gallico's profile on Babe Ruth, Aldous Huxley's essay on Modern).