Soon to be a New HBO® Series from J.J. Abrams (Executive Producer of Westworld), Misha Green (Creator of Underground) and Jordan Peele (Director of Get Out)
The critically acclaimed cult novelist makes visceral the terrors of life in Jim Crow America and its lingering effects in this brilliant and wondrous work of the imagination that melds historical fiction, pulp noir, and Lovecraftian horror and fantasy.
Chicago, 1954. When his father Montrose goes missing, 22-year-old Army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his Uncle George-publisher of The Safe Negro Travel Guide-and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite-heir to the estate that owned one of Atticus's ancestors-they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours.
At the manor, Atticus discovers his father in …
Soon to be a New HBO® Series from J.J. Abrams (Executive Producer of Westworld), Misha Green (Creator of Underground) and Jordan Peele (Director of Get Out)
The critically acclaimed cult novelist makes visceral the terrors of life in Jim Crow America and its lingering effects in this brilliant and wondrous work of the imagination that melds historical fiction, pulp noir, and Lovecraftian horror and fantasy.
Chicago, 1954. When his father Montrose goes missing, 22-year-old Army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his Uncle George-publisher of The Safe Negro Travel Guide-and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite-heir to the estate that owned one of Atticus's ancestors-they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours.
At the manor, Atticus discovers his father in chains, held prisoner by a secret cabal named the Order of the Ancient Dawn-led by Samuel Braithwhite and his son Caleb-which has gathered to orchestrate a ritual that shockingly centers on Atticus. And his one hope of salvation may be the seed of his-and the whole Turner clan's-destruction.
A chimerical blend of magic, power, hope, and freedom that stretches across time, touching diverse members of two black families, Lovecraft Country is a devastating kaleidoscopic portrait of racism-the terrifying specter that continues to haunt us today.
Ph’nglui mglw’nafh Cthulhu Chicago wgah’nagl fhtagn.
3 stars
Fascinating concept, and a narrative that leverages the rot and evil of America, and the racist AF legacy of H.P. Lovecraft to create a more...realistic universe. The writing was a little weak, though the narrative arc was well-sustained through a number of stories. A fun, quick read and ultimately worth it. Beats watching it on TV I suspect.
So overall I really liked this book. It recast the standard Lovecraft mythos in Jim Crow America, with the protagonists various members of the same African-American family who get pulled into the various machinations of groups of cultists. The fact that this was already a group of people that were pretty much at the mercy of whatever white America chose for them makes them ideal fodder for a group that can capitalize on that to use them as pawns in their own games.
Probably my biggest gripe in these was that there was very little of Elder God-like beings in these books. There was one instance where some very non-human creature made an appearance, plus a couple of instances of ghosts/spirits, but by and large this was focused on the people and there wasn't a lot to distinguish the sorcerors as being particularly Lovecraftian. In some ways this was almost …
So overall I really liked this book. It recast the standard Lovecraft mythos in Jim Crow America, with the protagonists various members of the same African-American family who get pulled into the various machinations of groups of cultists. The fact that this was already a group of people that were pretty much at the mercy of whatever white America chose for them makes them ideal fodder for a group that can capitalize on that to use them as pawns in their own games.
Probably my biggest gripe in these was that there was very little of Elder God-like beings in these books. There was one instance where some very non-human creature made an appearance, plus a couple of instances of ghosts/spirits, but by and large this was focused on the people and there wasn't a lot to distinguish the sorcerors as being particularly Lovecraftian. In some ways this was almost more of a spin on a detective noir trope, but with spells and sorcery instead.
Subjects
Lovecraft, H. P. (Howard Phillips), 1890-1937. Short stories--Fiction.