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Picked this up in a big bag of cheap books at my local library's Fall used book sale. On the outset it looks kind of chaotic, in a similar way to The Starless Sea -- where I'm not sure what the book is even about. But what little I've glimpsed has been super evocative, so I'm excited to find out!

Loved the projection of the titular SecUnit's feelings on to the experience of another bot. Great characters as always from Wells.

I can't remember the last time I read a book that flowed so effortlessly. There is no "dead air" in this novel. Lots of dialogue, with terse and welcome descriptions keep things moving without feeling rushed. The alien species is truly alien and disturbing on multiple levels, without coming off as malevolent.

The novel takes on a pretty different tone shortly after the halfway point, which I could definitely see upsetting people. It upset me, even though I loved the book. I think that's the point, but look up the CWs for yourself if you don't want to chance it.

I'm used to novels that much more clearly editorialize the author's morality into the book somehow. This one leaves that kind of hinting completely out, leaving you kind of gaslit over how to feel.

There is a pretty strong reading that can be done of this book from a critical lens of colonialism, and through that viewport, Dawn is an account of experiencing the overwhelming force of another peoples technology and culture.

I think anything I could say about this book I could say about the previous ones in the series. Enjoyable, endearing, and with a sort of cultured, high-pulp feel.

Maybe it's because I started reading the Murderbot series with a much later entry, and so I know where the titular SecUnit ends up; because this story feels like it is a slice in the crescent of a larger arc, where nothing particularly groundbreaking is revealed.

Really good. I liked it a lot and have already started on the next one.

I love a fantastical narrative, but I guess I have a heart of SF underneath it all so I found the shifting internal story-logic (not unlike dream-logic) a bit unsatisfying. But I also love a good yarn, and this one has enough to keep an entire battalion of kittens occupied until Spring.

I loved the characters and place descriptions, and the plot is a total page turner. The visuals: unique and haecceitous. The media references: chef's kiss.

A good issue of Clarkesworld, with fascinating stories by Fiona Moore, H.H. Pak and Greg Egan.

• "Wire Mother" by Isabel J. Kim: in the future where parents can be biological or digital, one daughter is unable to form an emotional attachment to her digital mother.

• "The Cancer Wolves" by Fiona Moore: in a future after the collapse of civilisation, a village now finds its flock being eaten by wolves. But instead of killing the wolves, they come up with a solution to live with them and, in the process, learn to live with each other better.

• "Crabs Don't Scream" by H.H. Pak: a 'Clerk' assigned to record the last fifteen seconds of a person's life before the world ends instead finds himself falling in love with the person. But is really love if the emotion causes him to catapult through time and space instead? The only way to find out is to force himself to observe those last fifteen seconds; but they may turn out to be his last.

• "Understudies" by Greg Egan: a boy gets help from a study aid, and finds himself developing a strong aptitude for mathematics. But is it enough to live on, when others are getting enhanced via direct connections to AIs instead? Perhaps the only way to find out it to challenge the enhanced people to a match of wits and show that AIs can only do so much when it comes to lateral thinking.

• "Giant Grandmother" by Liu Maijia, translated by Blake Stone-Banks: in a future where genetic defects are common and humanity may be in danger of dying out, one person is preparing for a change in his genetics that may preserve humanity. But before that he must have one final meeting with his grandmother, who has already gone through such a genetic change, and it now a much bigger person.

• "The Job Interview" by Carrie Vaughn: the supervisor in charge of navigation on a space station is being frustrated in her job by endless memos as she tries to find out why communications are currently glitchy. When she finally overrides authorities to find out for herself, it might be too late for the station; but perhaps not for herself.

• "In Luck's Panoply Clad, I Stand" by Phoebe Barton: after a nuclear exchange devastates the earth, one off-world human tries his best to help. But helping can be tough when the off-worlder is much bigger than earth people, but he is determined to do what he can, even when his world demands his return.A