caracabe started reading You Are Here by Ada Limón
You Are Here by Ada Limón
Published association with the Library of Congress and edited by the twenty-fourth Poet Laureate of the United States, a singular …
Writer and software engineer in the US Midwest. I enjoy poetry, horror, some f/sf, some mystery, some literary fiction (but not the kind where the main character is a professor and nothing happens).
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Published association with the Library of Congress and edited by the twenty-fourth Poet Laureate of the United States, a singular …
Primarily science fiction poetry with some horror elements. Plenty of humor and anger and playfulness and pain and thought. Some of the standouts for me: “Perish and Live Forever,” “The Payphone,” “Last Act of a Doomed Man,” “The Things That Killed Us: A History through Art,” and the title poem.
(New in 2025, no star ratings on my reviews. Two of the reasons: 1. numerical ratings are simplistic quantifications of the experiential; 2. I’ve realized my own x/5 ratings have reflected my mood of the moment more than my evaluation of the work.)
If on a winter's night a traveler (Italian: Se una notte d'inverno un viaggiatore) is a 1979 novel by the …
This is an anthology of stories, poems, art, and hard-to-categorize works dealing with AI and the other algorithms that threaten our humanity. The breadth and depth of creativity here is inspiring, a team of John Henry artists showing up that steam hammer (only without destroying themselves in the process).
This anthology describes itself as “newly discovered masterpieces by great names in fantastic terror,” but it’s mostly B-list work. I’m not sorry I read it, but that’s due to a couple of bright patches in the blah.
The opening story, “The Challenge from Beyond,” is a novelty, with parts written in turn by C. L. Moore, A. Merritt, H. P. Lovecraft, Robert E. Howard, and Frank Balknap Long, Jr. It’s not a seamless collaboration, but it is fun to read if you’re familiar with the works of those authors.
The final story, W. Fenimore’s “The Pool of the Stone God,” is more sketch than tale, and seems to be included because Fenimore might have been a pseudonym for A. Merritt.
Between those two, the real revelation for me is “From Hand to Mouth,” by Fitz-James O’Brien. I would call it a surrealist story, but it appeared decades before surrealism was …
This anthology describes itself as “newly discovered masterpieces by great names in fantastic terror,” but it’s mostly B-list work. I’m not sorry I read it, but that’s due to a couple of bright patches in the blah.
The opening story, “The Challenge from Beyond,” is a novelty, with parts written in turn by C. L. Moore, A. Merritt, H. P. Lovecraft, Robert E. Howard, and Frank Balknap Long, Jr. It’s not a seamless collaboration, but it is fun to read if you’re familiar with the works of those authors.
The final story, W. Fenimore’s “The Pool of the Stone God,” is more sketch than tale, and seems to be included because Fenimore might have been a pseudonym for A. Merritt.
Between those two, the real revelation for me is “From Hand to Mouth,” by Fitz-James O’Brien. I would call it a surrealist story, but it appeared decades before surrealism was invented. O’Brien never finished the piece, and his editor wrote the weak ending.
Two versions of an early Ray Bradbury story appear here: the version Bradbury self-published in his zine because no one would buy it, and a revised version co-written with Henry Hasse that Super Science Stories eventually bought. Neither is great, but it’s interesting to compare the two.