Ducks

Two Years in the Oil Sands

Graphic novel, 448 pages

Published Sept. 23, 2022 by Drawn & Quarterly.

ISBN:
978-1-77046-289-2
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OCLC Number:
1320870463

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Before there was Kate Beaton, New York Times bestselling cartoonist of Hark! A Vagrant, there was Katie Beaton of the Cape Breton Beatons, specifically Mabou, a tight-knit seaside community where the lobster is as abundant as beaches, fiddles, and Gaelic folk songs. With the singular goal of paying off her student loans, Katie heads out west to take advantage of Alberta’s oil rush—part of the long tradition of East Coasters who seek gainful employment elsewhere when they can’t find it in the homeland they love so much. Katie encounters the harsh reality of life in the oil sands, where trauma is an everyday occurrence yet is never discussed.

Beaton’s natural cartooning prowess is on full display as she draws colossal machinery and mammoth vehicles set against a sublime Albertan backdrop of wildlife, northern lights, and boreal forest. Her first full length graphic narrative, Ducks: Two Years in the Oil …

5 editions

Ducks

1) Cape Breton used to export fish, coal, and steel; but in 2005, its main export is people. It's not a unique story in Atlantic Canada. Nor is it a new one. Every Cape Breton family has had its share of empty chairs around the table, for a hundred years. Fathers, siblings, cousins; gone to the "Boston States," gone to Ontario, gone to Alberta—gone to be cheap labour where booming industries demanded it. The only message we got about a better future was that we had to leave home to find one. We did not question it, because this is the have-not region of a have-not province, and it has not boomed here in generations. I need to tell you this—there is no knowing Cape Breton without knowing how deeply ingrained two diametrically opposed experiences are: A deep love for home, and the knowledge of how frequently we have to …

a world of violations

“Enjoy” isn’t quite the right word for a read that’s about something as nuanced and anguished as this is, but it’s also apt. I lingered over it and zoomed through it. It’s generous and devastating, sympathetic to the awful positions poor people find themselves in to get by and to the ways it warps who they are, and devastating in how it depicts the violence directed at everyone—women and the land, especially, but also the men who are used up without regard to turn profits for the company.

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