Mike reviewed The Sun Also Rises by Ernest Hemingway
Review of 'The Sun Also Rises' on 'Goodreads'
3 stars
Ummmm....yea. Did this book have a point? If so, I missed it. It wasn't horrible, but it wasn't amazing either.
Italian language
The Sun Also Rises is a 1926 novel by American writer Ernest Hemingway, his first, that portrays American and British expatriates who travel from Paris to the Festival of San Fermín in Pamplona to watch the running of the bulls and the bullfights. An early modernist novel, it received mixed reviews upon publication. Hemingway biographer Jeffrey Meyers writes that it is now "recognized as Hemingway's greatest work" and Hemingway scholar Linda Wagner-Martin calls it his most important novel. The novel was published in the United States in October 1926 by Scribner's. A year later, Jonathan Cape published the novel in London under the title Fiesta. It remains in print. The novel is a roman à clef, the characters are based on people in Hemingway's circle and the action is based on events, particularly Hemingway's life in Paris in the 1920s and a trip to Spain in 1925 for the Pamplona …
The Sun Also Rises is a 1926 novel by American writer Ernest Hemingway, his first, that portrays American and British expatriates who travel from Paris to the Festival of San Fermín in Pamplona to watch the running of the bulls and the bullfights. An early modernist novel, it received mixed reviews upon publication. Hemingway biographer Jeffrey Meyers writes that it is now "recognized as Hemingway's greatest work" and Hemingway scholar Linda Wagner-Martin calls it his most important novel. The novel was published in the United States in October 1926 by Scribner's. A year later, Jonathan Cape published the novel in London under the title Fiesta. It remains in print. The novel is a roman à clef, the characters are based on people in Hemingway's circle and the action is based on events, particularly Hemingway's life in Paris in the 1920s and a trip to Spain in 1925 for the Pamplona festival and fishing in the Pyrenees. Hemingway presents his notion that the "Lost Generation"—considered to have been decadent, dissolute and irretrievably damaged by World War I—was in fact resilient and strong. Hemingway investigates the themes of love and death, the revivifying power of nature and the concept of masculinity. His spare writing style, combined with his restrained use of description to convey characterizations and action, demonstrates his "Iceberg Theory" of writing.
Ummmm....yea. Did this book have a point? If so, I missed it. It wasn't horrible, but it wasn't amazing either.
Was not expecting to enjoy this novel as much as I did... having been living with the impression that Hemingway leaves the difficulty of writing to the readers and claims it is literary under his 'ice-berg theory'. In The Sun Also Rises, we have a good travel piece coupled with modernist themes. As a travel piece, it is excellent in the descriptions of the Spanish countryside and the San Fermin festival. Of course, what is more important is how all this is better related to our characters, the expatriates affected by World War I and the loss of innocence/trust/naivete that that entails. In particular, the bull fights and how the various parts relate to World War I or to the various characters is interesting. They take on the form of organic symbols, or rather, they are not the same for each character. It's that sort of adaptable symbolism that makes …
Was not expecting to enjoy this novel as much as I did... having been living with the impression that Hemingway leaves the difficulty of writing to the readers and claims it is literary under his 'ice-berg theory'. In The Sun Also Rises, we have a good travel piece coupled with modernist themes. As a travel piece, it is excellent in the descriptions of the Spanish countryside and the San Fermin festival. Of course, what is more important is how all this is better related to our characters, the expatriates affected by World War I and the loss of innocence/trust/naivete that that entails. In particular, the bull fights and how the various parts relate to World War I or to the various characters is interesting. They take on the form of organic symbols, or rather, they are not the same for each character. It's that sort of adaptable symbolism that makes for a deep novel.
Now, The Sun Also Rises is a modernist novel and has to be understood as such. Without that understanding, the significance of conversation or Jake's emasculation are lost. It has to be understood within the context of a 'lost generation' (which Hemingway makes clear when he opens the book with a quote from Gertrude Stein). It is also very much a product of its time, what with Robert Cohn being capable of being interpreted as a sinister Jew. It's actually not that simple, but with people who are not use to reading older works where latent racism/ racial insensitivity lie, it might be a turn-off and a reason for people to judge the book and Hemingway as being anti-Semitic. I do not know about Hemingway, but when the main character throwing out 'Jew' as an insult is a metaphorically impotent drunk, I do not think the message is anti-Semitic. This is actually an example of the 'ice-berg theory' where the character is not hostile to Cohn because he's a Jew, but because he had an affair with his fiancee. And when you're angry at someone, you tend to bring to bear any insult you may have at your disposal, no matter how politically incorrect or insensitive they may be.
Overall, an enjoyable novel, but the context needs to be understood in order to get more out of it than a good piece of travel writing.