This is a spy novel, sure, but also an exploration of the nature of our relationship with our history at every level - from the personal to that of our species. As such, it’s more introspective than tense; a reflective journey more than a pulse-pounding one, but a worthy journey nonetheless. It’s one of those novels where the protagonist is just on the edge of unlikable, and knowingly so, but in a way that is more relatable than we might care to admit. It took me a little while to get into it, but I soon found its untethered rhythm. It’s one that will stick.
I thoroughly enjoyed this thriller (although it's not the "action-packed" type) set in rural France and focused on a commune known as Le Moulin. The espionage plot provides a framework for the cold-hearted protagonist (assumed name: Sadie Smith) and certain others (primarily Bruno Lacombe, via his intercepted emails to the Moulinards) to make proclamations and observations about various aspects of life, such as art, political activism, self-identity, oppression, Neanderthals, and the night sky.
There are many indelible scenes and stories within the story - e.g., Bruno's memory of playing with other boys and taking the helmet of a dead Nazi soldier they came across; Sadie observing the sexist division of labor in the commune; the history of the Cagot; Bruno hearing voices in his cave; and a seafaring tale about an 18th-century Polynesian.
Here's just one of many passages that made an impression on me: "When you look at stars, …
I thoroughly enjoyed this thriller (although it's not the "action-packed" type) set in rural France and focused on a commune known as Le Moulin. The espionage plot provides a framework for the cold-hearted protagonist (assumed name: Sadie Smith) and certain others (primarily Bruno Lacombe, via his intercepted emails to the Moulinards) to make proclamations and observations about various aspects of life, such as art, political activism, self-identity, oppression, Neanderthals, and the night sky.
There are many indelible scenes and stories within the story - e.g., Bruno's memory of playing with other boys and taking the helmet of a dead Nazi soldier they came across; Sadie observing the sexist division of labor in the commune; the history of the Cagot; Bruno hearing voices in his cave; and a seafaring tale about an 18th-century Polynesian.
Here's just one of many passages that made an impression on me: "When you look at stars, Bruno said, you merge into the flow of time, the right-now and the before and the to-come." Actually, I thought some of the writing about the stars connected well to Samantha Harvey's Orbital, which I read recently.
Usually I try to avoid audiobooks narrated by the author, but I'm glad I listened to this one. Kushner's straightforward delivery works perfectly with the book's dry humor.
