Literally Graphic finished reading 12 Rules for Strife by Jeff Sparrow

12 Rules for Strife by Jeff Sparrow, Sam Wallman
This is a handbook for change. Because we all know ways in which life could be better. And it can …
An avid audiobook and comics reader with few IRL outlets for what has become a very special interest.
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5% complete! Literally Graphic has read 5 of 100 books.
This is a handbook for change. Because we all know ways in which life could be better. And it can …
A moving collection of six short stories that explores what must be stripped away to find the truth and celebrates …
The master of the visual mash-up returns with his signature idiosyncratic take on the Constitution
R. Sikoryak is the master …
"On loving women is a collection of stories about first love and sexual identity. Diane Obomsawin shares her friends' and …
Content notes for: nudity, sex, and one Blue is the Warmest Colour style short story featuring under age age gap fling with cheating.
What kinds of keywords came to mind? Lesbians, obviously, coming of age, slice of life, romance, and boarding schools.
"On Loving Women is a new collection of stories about coming out, first love, and sexual identity by the animator Diane Obomsawin. With this work, Obomsawin brings her gaze to bear on subjects closer to home—her friends' and lovers' personal accounts of realizing they're gay or first finding love with another woman. Each story is a master class in reaching the emotional truth of a situation with the simplest means possible. Her stripped-down pages use the bare minimum of linework to expressively reveal heartbreak, joy, irritation, and fear."
The art style was interesting, and fits with the genre, but it was not really my favourite.
Gender and sexuality …
Content notes for: nudity, sex, and one Blue is the Warmest Colour style short story featuring under age age gap fling with cheating.
What kinds of keywords came to mind? Lesbians, obviously, coming of age, slice of life, romance, and boarding schools.
"On Loving Women is a new collection of stories about coming out, first love, and sexual identity by the animator Diane Obomsawin. With this work, Obomsawin brings her gaze to bear on subjects closer to home—her friends' and lovers' personal accounts of realizing they're gay or first finding love with another woman. Each story is a master class in reaching the emotional truth of a situation with the simplest means possible. Her stripped-down pages use the bare minimum of linework to expressively reveal heartbreak, joy, irritation, and fear."
The art style was interesting, and fits with the genre, but it was not really my favourite.
Gender and sexuality were obviously pretty central to this collection of short stories. Apparently Obomsawin interviewed a number of people she knew across a wide age range, but since she chose to focus more on each person's first lesbian relationship all the stories feature fairly young protagonists. I was a bit concerned about the lack of trans representation, as I'm not sure if this was an oversight or a deliberate exclusion. An alibi fairly cursory searches via duck duck go did not appear to reveal anything, but Obomsawin does not appear to be a terribly online person either.
Similarly, racial diversity seemed to be largely ignored. But living in a still pretty segregated society, it's not hard to believe that since Obomsawin was drawing from her personal contacts there could just not be much diversity to draw on. That said, I'm not sure if the different animal heads Obomsawin uses was supposed to denote racial different? So there is a chance it just flew right over my head.
Class did feel like one of the things that did really differentiate some of the characters from each other.
And, again, might have missed something but the assumption seemed to be that everyone was pretty able bodied.
So yeah, to conclude, I am glad I finally got around to reading this book as it's been on my TBR for what feels like forever. That said, as I already mentioned, not a new favourite. I have been feeling very unnerved by my ratings of late though, always feeling like I'm rating things to highly or to lowly. So let us see... I think I'm going to follow my gut and start with a two out of five stars, which always feels harsh, but it was OK so there's that.
In a series of personal essays, prominent journalist and LGBTQIA+ activist George M. Johnson explores his childhood, adolescence, and college …
In a series of personal essays, prominent journalist and LGBTQIA+ activist George M. Johnson explores his childhood, adolescence, and college …
Corinne Maier: Einstein (2016)
Biography of Albert Einstein told in the form of a comic strip.
Using comics and illustrations to explore complex scientific ideas, this title is an engaging introduction to the history and ideas …
Aglaia is a simple sea nymph. One day, a Merman seduces Aglaia, forever altering her life’s course. She is cast …
Cixtisis, the empress of Tchitchinie, kidnaps all of the men from Agalaia's kingdom to castrate them and make them her …
And today’s pick is Guantánamo Kid: The True Story of Mohammed El-Gharani by Jérôme Tubiana and Alexandre Franc. Originally published in 2018 by a French publisher. it was translated to English and published in 2019 by Self Made Hero. Endorsed by Amnesty International.
Content notes for: 9/11, harm to children, lots of torture, n-word, nudity, and suicide.
A heavy read, the torture is described but not shown in detail on the page.
Looking at the creative team we have writer Jérôme Tubiana. Flipping to the back of the book, he is described as an independent journalist and researcher with a focus on “conflicts and migrations in the Sahel and the Horn of Africa”. Online search brings up work with Al Jazeera, The London Review of Books, he’s written reports for the United States Institute of Peace and been an operational advisor for Doctors Without Borders.
And we have art by …
And today’s pick is Guantánamo Kid: The True Story of Mohammed El-Gharani by Jérôme Tubiana and Alexandre Franc. Originally published in 2018 by a French publisher. it was translated to English and published in 2019 by Self Made Hero. Endorsed by Amnesty International.
Content notes for: 9/11, harm to children, lots of torture, n-word, nudity, and suicide.
A heavy read, the torture is described but not shown in detail on the page.
Looking at the creative team we have writer Jérôme Tubiana. Flipping to the back of the book, he is described as an independent journalist and researcher with a focus on “conflicts and migrations in the Sahel and the Horn of Africa”. Online search brings up work with Al Jazeera, The London Review of Books, he’s written reports for the United States Institute of Peace and been an operational advisor for Doctors Without Borders.
And we have art by French artist Alexandre Franc. Although work he has illustrated and/or written include Agatha: The Real Story of Agatha Christie, Extinctions: Twilight of the Species, Evolution: Darwin, God and the Horse-People and much more.
What kinds of keywords came to mind: inhumane, anti-state, coming of age, community, faith, shit disturber, and manipulation.
“Saudi Arabia offers few prospects for the bright young Mohammed El-Gharani. With roots in Chad, Mohammed is treated like a second-class citizen. His access to healthcare and education are restricted; nor can he make the most of his entrepreneurial spirit. At the age of 14, having scraped together some money as a street trader, Mohammed seizes an opportunity to study in Pakistan. One Friday in Karachi, Mohammed is detained during a raid on his local mosque. After being beaten and interrogated, he is sold to the American government by the Pakistani forces as a member of Al-Qaida with links to Osama Bin Laden, but Mohammed has heard of neither. The Americans fly him first to Kandahar and then to Guantánamo Bay.”
Starting with the art. I will admit that at first my expectations were not particularly high. The style is lightly cartoonish black and white with fairly straight forward page layouts. As I read through Guantanamo Kid however I became very impressed with the nuance Franc brought to the narrative. Moving the level of cartoonishness up and down to match the ridiculousness of the evil being enacted. There were visual metaphors and symbolism. And the text was nicely spread out and broken down into easy to consume chunks.
Similarly I found the writing to be extremely good in all the ways I could think to test it. Although that certainly is not all encompassing.
To start with, I was struck by how respected and relatable Mohammad felt throughout the book. Not someone to be pitied, not a thin shadow to act as inspiration-porn, or a monstrous other. Mohammad is a young muslim boy whose family moved from the Congo to Medina to be close to this spiritual centre. They are excluded by the state of Saudi Arabia but have family and community.
Moving into his time in Guantanamo Bay, I appreciated how the resistance of Mohammed and his comrades was highlighted in such detail. Obviously this book is nonfiction, but in my media consumption I have come across far too many stories that turned the enslaved, enprisoned and otherwise appressed into passive objects in need of saving. When revolutions, revolts, escapes, and strikes all say otherwise.
I will note that Guantanamo Kid does not do something I generally appreciate in nonfiction. Namely, the author himself is not at all present in the main body of the book and his perspective is not necessarily articulated outright. I do feel like Jerome’s perspective is pretty obvious, although my own personal bias is certainly playing a roll in this because I went into this book agreeing with it. There is also a pretty wide range of reportage on Guantanamo that agree on what we might call the facts of the situation. That said I did really appreciate the final section that was only text and explained further how Jerome and Mohammed crossed paths, the interview process that went into making the book, and updates from Mohammed’s life after the graphic novel concluded.
Looking at the intersections of identitiy I examine in each of my reviews.
Disability actually got a lot of air time. Before Guantanamo Mohammad’s father is disabled while he is fairly young and after Mohammad is forced to smuggle himself into different countries to get medical care to help him recover from torture. While in Guantanamo we also have some insight into how the community took care of each other. Some people were not on the frontline of resistance to the guards because they were more physically fragile.
Race is obviously another important aspect of the narrative alongside dialect, country of origin, citizenship, class and many other ways we divide each other up and make the other more monstrous. In my ignorance I was not aware that any of the detainees were Black. Moving from Mohammad’s detention in Pakistan to Guantanamo we see the death of his naiveté and induction into the American flavor of both anti-Black racism and Black culture. And while Mohammad’s residence is always despite the state, after his release in particular Jerome is sure to dive into all the ways in which Mohammad is displaced and without an easy homeland.
Human sexuality was horribly mostly explored in the ways it was used to humiliate and torture Mohammad and other detainees. Although we do have the briefest mention of polygamy at the end of the epilogue as Mohammad does go on to marry two women.
And finally, gender was again not really a focus of the story beyond the basics unescapables. That said, because it is a thing I like to harp on about, I did appreciate the very clear depiction of not only men working at Guantanamo but also women, as some people suffer under the notion that people who appear to have XY chromosomes are intrinsically nicer.
Wrapping things up. Obviously I generally try and steer away from language that implies that anything is a universal must read. But this time around it is sorely tempting. With 30 people still locked up in Guantanamo it’s still incredibly important for people to be fully aware of the kind of shit that so called america has perpetrated there. And obviously I do feel like there’s stuff to learn here that can impact how we see other things that imperialist powers do. Five stars if you didn’t already guess.
Saudi Arabia offers few prospects for the bright young Mohammed El-Gharani. With roots in Chad, Mohammed is treated like a …
Saudi Arabia offers few prospects for the bright young Mohammed El-Gharani. With roots in Chad, Mohammed is treated like a …
And today's pick is Prophets Against Slavery: Benjamin Lay by David Lester With Marcus Rediker (who wrote the book that this is a graphic novel adaption of) and Paul Buhle. This volume was published by Beacon Press in 2021. Unfortunately my library only has the digital edition. But we'll make it work.
Content notes for torture, chains, nudity and suicide.
While I would characterize the depiction of torture of both white quakers and enslaved Black people as more matter of fact then edgy, your milage may vary. It is certainly trying to make a point.
I picked this book up shortly after I started writing my review of Under the Banner of King Death Review both because I was pretty impressed with that book and because they are from the same creative team, plus the content for this volume sounded really intriguing.
Keywords that came to mind include: quakers, disability, …
And today's pick is Prophets Against Slavery: Benjamin Lay by David Lester With Marcus Rediker (who wrote the book that this is a graphic novel adaption of) and Paul Buhle. This volume was published by Beacon Press in 2021. Unfortunately my library only has the digital edition. But we'll make it work.
Content notes for torture, chains, nudity and suicide.
While I would characterize the depiction of torture of both white quakers and enslaved Black people as more matter of fact then edgy, your milage may vary. It is certainly trying to make a point.
I picked this book up shortly after I started writing my review of Under the Banner of King Death Review both because I was pretty impressed with that book and because they are from the same creative team, plus the content for this volume sounded really intriguing.
Keywords that came to mind include: quakers, disability, morality and prophetic.
The publisher's summary is "The revolutionary life of an 18th-century dwarf activist who was among the first to fight against slavery and animal cruelty.
Prophet Against Slavery is an action-packed chronicle of the remarkable and radical Benjamin Lay, based on the award-winning biography by Marcus Rediker that sparked the Quaker community to re-embrace Lay after 280 years of disownment. Graphic novelist David Lester brings the full scope of Lay's activism and ideas to life.
Born in 1682 to a humble Quaker family in Essex, England, Lay was a forceful and prescient visionary. Understanding the fundamental evil that slavery represented, he would unflinchingly use guerrilla theatre tactics and direct action to shame slave owners and traders in his community. The prejudice that Lay suffered as a dwarf and a hunchback, as well as his devout faith, informed his passion for human and animal liberation. Exhibiting stamina, fortitude, and integrity in the face of the cruelties practiced against what he called his "fellow creatures," he was often a lonely voice that spoke truth to power.
Lester's beautiful imagery and storytelling, accompanied by afterwords from Rediker and Paul Buhle, capture the radicalism, the humor, and the humanity of this truly modern figure. A testament to the impact each of us can make, Prophet Against Slavery brings Lay's prophetic vision to a new generation of young activists who today echo his call of 300 years ago: "No justice, no peace!"
As I already highlighted, this is the second book by Lester, Rediker and Buhle that I'm reviewing this year so please check out the link to The Banner of King Death review to find out more about each of them.
Looking at the writing and art style I enjoyed both and feel like this creative team has demonstrated an above average skill at putting together graphic novels that are both highly political and very interesting and easy to read. This balance has proven difficult for many, so kudos. My only complaint is that this does veer close to alternative great men of history territory.
Page layouts were varied and Lester does a very nice job using pattern, the juxtaposition of different line qualities and visual metaphors.
Looking at the different identities and themes I like to look at in each of my reviews:
Race should come first because this book's narrative centers around the trans Atlantic slave trade that targeted Black Africans. That said, the eyes we are looking through are those of a white man who was also a quaker and a little person. This framing is not necessarily a problem in and of itself. Benjamin Lay is a striking figure and is an abolitionist even when his fellow quakers were not. That said, I (albeit as a white person myself) do think it would have been a good idea to work in more then one line and one action by Black people. Because as it stands, as I read this volume it felt like, despite the fact that Lay was initially inspired to abolition by the suicide of an enslaved person who refused to continue to allow themselves to be enslaved, Black people were almost exclusively objects that were acted upon rather then 3D characters that, among other things, talked and often fought for their own freedom.
Doing a bit of research it is fair to say that the majority of documented rebellions of Black slaves (sometimes in solidarity with poor white people and indigenous people) happened after Lay's life. Communication was not what it is now and news like this could have been suppressed. I'm not an expert. But I do think that it would have made the book better to figure out a way to provide the reader with this wider context, even if Lay was not aware of it.
I feel strongly about this because it wasn't until after I graduated university and started educating myself further that I fully appreciated that Black chattel enslavement didn't end because white people became more enlightened, but is largely due to many Black people through time and space taking their own emancipation into their own hands. Which not only changed my perspective on historical events, but also about the potential nature of future change. I probably could have explained that in a slightly more succinct way, but if you want to correct this issue for yourself I would recommend checking out Nat Turner by Kyle Baker, Run For It by Marcelo d’Salete and Maroon Comix_ Origins & Destinies.
Disability and ability also played a much larger role then average in this graphic novel. As I mentioned Benjamin Lay was a little person. The book, as you have likely already noted, uses the term Dwarf. Searching around the world wide web it didn't seem like the most favored term but also maybe not a slur either? Very big question mark. Definitely don't take that as a statement of any kind of authority. Also, some of the racial terms also felt similarly dated...
Anyway, Benjamin's condition certainly combines with his other identities to present a very unique and striking figure of history. I appreciated how the volume did highlight that people accused Lay of being "cracked in the head" for being an abolitionist. It reminded me of a similar movement in white enslavers to characterize Black people's apatite for freedom as a mental illness.
Overall, I thought that Prophets Against Slavery did a pretty good job of depicting the unique collection of struggles and strengths that kept our protagonist ticking.
An aspect of identity that doesn't always come up in any review is that of religious identity. With Lay's identity as a quaker being an outsized motivational factor. And while many quakers were abolitionists, that was not the case for Lay's community and he felt this was hypocritical because quakers were a christian sect that had faced a lot of persecution back in England and were supposed to see their fellow humans as equals.
In addition to apposing slavery, Lay did not wear woolen garments and became a vegetarian.
There is also some mention of the lollards, levelers and the diggers. A selection of other interesting subversive English uprisings. My notes also include a line "But they are protestant lol". Which I don't exactly remember writing down but I assume it had more my own anti-protestant biases and not Lay's? And of course not all protestants, but good heavens.
Overlapping religiousness with the only sexuality represented. Lay married Sarah Smith Lay who apparently shared his short stature but was perceived by the community as much more quiet and pious. It even sounds like the quacker community recognized her as having been blessed by the spirit to be a minister of the gospel.
Neither cis gender or any other sort of gender was very much explored in this volume perhaps unsurprisingly.
Class had a bit of a passing representation since Lay was much poorer then the rich enslavers he was critiquing.
Place was mentioned as Lay moved around but I didn't come away feeling like it was particularly developed.
Wrapping things up. A lot to chew on, which is always fun. Not as good as Under The Banner of King Death, but that only means they are on an upward trajectory. Four stars.