This is an interesting collection of stories although, inevitably, there are some that I enjoyed more than others. Highlights for me included Kelly Hale’s Black Alice which shifts Sherlock Holmes to the Enlightenment and pits him against the parochial superstitions of seventeenth-century Worcestershire. This felt like a near-perfect setting for the great detective and I would loved to have seen more like this.

Then there was Kaaron Warren’s The Lantern Men which was very dark. If you can imagine Edgar Allen Poe having set a Sherlock Holmes story in Australia, then you have pretty much captured the feel of this story. Emma Newman’s A Woman’s Place imagines a near-future dystopia and explains — rather brilliantly — why he unflappable, ever-present Mrs. Hudson continues to put up with Holmes.

The Small World of 221B by Ian Edginton is an overtly strange story that I found myself enjoying a great deal more than I expected. The Final Conjuration by Adrian Tchaikovsky makes no attempt to re-imagine Holmes, preferring to plonk him unaltered into a high fantasy setting, to brilliant effect.

The Innocent Icarus by James Lovegrove gives us a Holmes in a world of superheroes and All The Single Ladies by Gini Koch gives a breezily flippant Holmes against a background of reality TV.

And finally, there’s Parallels by Jenni Hill which takes the re-inventing Holmes idea to it’s limit with a pair of teenage girls.

Obviously, other people will respond to different stories differently and will find other highlights. But you have any interest in the idea of a re-imagined Sherlock Holmes, and even if you don’t, this collection is well worth a read.