Brian Plunkett started reading Parable of the Sower by Octavia E. Butler
Parable of the Sower by Octavia E. Butler
In 2025, with the world descending into madness and anarchy, one woman begins a fateful journey toward a better future. …
I got back into reading at the end of 2021, and it has been really fun. Once again, books are a big part of my life. Historical fiction, science fiction, etc., etc. Interested in politics, feminism, climate change, antiracism, TV, movies, birding, biking, music, forest preserves, art museums, travel. UC Davis law grad, now in Chicago suburbs.
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In 2025, with the world descending into madness and anarchy, one woman begins a fateful journey toward a better future. …
I thought this book was pretty stunning. I decided to read it after seeing John Warner (AKA The Biblioracle) say that it "should absolutely be considered a great American classic."
It has some flaws -- for example, I thought it was somewhat sexist and didn't always succeed when he was writing from a woman character's perspective (although the Dymphna Willson chapter, describing a detailed interaction between Dymphna and Bethera, was very good).
The chapter focused on David, a white student who becomes close friends with a black student at college, was amazing. I didn't realize it until reading this New Yorker article after I finished the book, but the entire story is told exclusively through the eyes of white people.
The image of all the black people leaving the state is really burned into my mind. (I don't think that plot development is a spoiler, since I've seen it prominently …
I thought this book was pretty stunning. I decided to read it after seeing John Warner (AKA The Biblioracle) say that it "should absolutely be considered a great American classic."
It has some flaws -- for example, I thought it was somewhat sexist and didn't always succeed when he was writing from a woman character's perspective (although the Dymphna Willson chapter, describing a detailed interaction between Dymphna and Bethera, was very good).
The chapter focused on David, a white student who becomes close friends with a black student at college, was amazing. I didn't realize it until reading this New Yorker article after I finished the book, but the entire story is told exclusively through the eyes of white people.
The image of all the black people leaving the state is really burned into my mind. (I don't think that plot development is a spoiler, since I've seen it prominently mentioned in many descriptions of the book.)
There is only one copy of this book in our library system, and the library that owns it won't let users from other libraries borrow it. :-( But luckily I was able to get it from the Cloud Library.
4.5 stars. I thought it would take me longer to finish this 600+ pager, but it really gripped me and kept me moving along. Excellent and exciting storytelling, focused on aviator Marian Graves, with great characters in both of the book’s timelines. Very well written -- for the most part, I’d say it’s filled with sentences that are a pleasure to read.
Some of Barclay’s actions (and the supposed reasoning behind them) didn’t really make sense to me, and that distracted me a bit. But it’s a fairly minor complaint, considering how much I liked the book overall.
Weaved into the story in both timelines are many memorable observations about friendship, love, adventure, heartache, sexual desire and pleasure, artistic expression, self-destruction, sexism, war, and atonement, not to mention aviation and film-making. There's also a cinematic sweep to the whole thing that is breathtaking at times (which I think is not …
4.5 stars. I thought it would take me longer to finish this 600+ pager, but it really gripped me and kept me moving along. Excellent and exciting storytelling, focused on aviator Marian Graves, with great characters in both of the book’s timelines. Very well written -- for the most part, I’d say it’s filled with sentences that are a pleasure to read.
Some of Barclay’s actions (and the supposed reasoning behind them) didn’t really make sense to me, and that distracted me a bit. But it’s a fairly minor complaint, considering how much I liked the book overall.
Weaved into the story in both timelines are many memorable observations about friendship, love, adventure, heartache, sexual desire and pleasure, artistic expression, self-destruction, sexism, war, and atonement, not to mention aviation and film-making. There's also a cinematic sweep to the whole thing that is breathtaking at times (which I think is not always easy to do in writing), e.g. ships at sea, crossing mountains north of Montana and heading west to the Pacific, flying across Antarctica, etc.
From her days as a wild child in prohibition America to the blitz and glitz of wartime London, from the …
Another powerful and touching story from Keegan, beautifully written and with striking attention to emotional detail. I saw someone describe it as a triumph of narration from a child's perspective, and I have to agree. I was really looking forward to reading this, after recently finishing Small Things Like These, and it did not disappoint. I wouldn't look at these until after reading it, but there's an informative review from NPR here, and some very interesting thoughts from Keegan about the story specifically and fiction/writing/reading in general here (in response to students' questions about the book).
A small girl is sent to live with foster parents on a farm in rural Ireland, without knowing when she …
This was a lot of fun, although at times I did feel a bit like I was watching someone show off with a clever wordplay performance. Quite a few laugh-out-loud moments. I mostly listened to the audiobook, and Amir Abdullah did a great job. His characterizations helped me appreciate the hilarious writing and conversations. This was the first of Everett's books that I've read. Next I think I'll try The Trees.
The protagonist of Percival Everett’s puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, …
Wow, hopeful and eye-opening (and short!) science fiction. I read this after seeing it recommended in the New York Times Climate Forward newsletter. If you can't find the standalone version, it's also contained in The Year's Best Science Fiction, Vol. 1 (2020), which I was able to pick up at the library. Now I need to track down the audio version, which is read by Jason Isaacs.
A small girl is sent to live with foster parents on a farm in rural Ireland, without knowing when she …