Flatland

a Romance of Many Dimensions

by Edwin Abbott Abbott

Hardcover, 96 pages

Published Oct. 7, 1992 by Dover Publications, Brand: Dover Publications.

ISBN:: 978-0-486-46335-3

(14 reviews)

Flatland: A Romance of Many Dimensions, though written in 1884, is still considered useful in thinking about multiple dimensions. It is also seen as a satirical depiction of Victorian society and its hierarchies. A square, who is a resident of the two-dimensional Flatland, dreams of the one-dimensional Lineland. He attempts to convince the monarch of Lineland of the possibility of another dimension, but the monarch cannot see outside the line. The square is then visited himself by a Sphere from three-dimensional Spaceland, who must show the square Spaceland before he can conceive it. As more dimensions enter the scene, the story's discussion of fixed thought and the kind of inhuman action which accompanies it intensifies.

57 editions

noisenerd reviewed Flatland by Edwin Abbott Abbott (Princeton science library)

Contender for "Greatest Book Ever"

5 stars

I'm perhaps being a little over-the-top there, but also not really. The way this book serves as political/societal satire while simultaneously teaching a fairly advanced mathematical concept in an entertaining and accessible way is masterful. The social commentary may be a bit less relevant than it was in its time, but sadly still isn't entirely irrelevant even now, and I think the geometry lesson is still one of the best explanations of the concept I've seen.

NullPotential reviewed Flatland by Edwin Abbott Abbott

The interesting bits are burried by the boring

3 stars

Firstly it can't be dismissed how prescient a concept the fourth dimension and the importance of time was when this book was penned. The idea would be nothing more than fantasy up until Abbott's final years, when some dude named Einstein wrote a theory. The parts of the book that center around the topic of dimensions and the separations between holds up nearly 1.5 centuries later.

Unfortunately, Abbott goes into great detail on the imagined lives and societies of the creatures in the first and second dimension as a commentary on the Victorian period.