The Stepford Wives

mass market paperback, 191 pages

English language

Published Aug. 20, 1973 by Fawcett Publications.

ISBN:
978-0-04-490187-7
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4 stars (6 reviews)

When Joanna Eberhart and her husband Walter moved to the quiet suburb of Stepford, she thought they had left behind the dangers of the crime-ridden city. Joanna felt safe now. Stepford seemed such a pleasant town.

Then, little by little, dark suspicions began to blacken the bright picture. Stepford wasn't just another quiet little town. Not at all. There was an evil secret hidden in Stepford...a secret Joanna was almost afraid to guess.

In this fiendishly entertaining novel, Ira Levin takes us into the suburbs, where the wives of Stepford fall prey to an unspeakable menace. You will never forget Stepford; from now on, there's a certain kind of woman who will be knon as a Stepford wife. --back cover

26 editions

Interesting Concept, Mediocre Execution

4 stars

The absolute worst part of this specific version of this specific novel is Chuck Palahniuk's introduction. I don't know why you'd ask him, of all people, to write a 'feminist intro' (or maybe he did that of his own accord, who knows)... But he failed miserably and engaged in misogynistic insult throwing while failing to understanding how structures of patriarchy, classism, and white supremacy intersect. (And he couldn't even recognise varying elements of queerphobia that were at play, either.)

Which is confusing considering Levin does a decent job at highlighting the horror of the 'feminist backlash'. Because it's much easier to see the backlash coming from the people in the middle- and upper- classes, this book is positioned well. It's still interesting to see that at least two of the women feel safe and secure with their "supportive" husbands, even though they have been steadily walking towards a tighter patriarchal …

Review of 'The Stepford wives' on 'Goodreads'

4 stars

Thanks to Lyz Lenz for recommending this in her newsletter and putting me in the right frame of mind to understand the sociopolitical context and appreciate what the novel is doing (although it's dated and I don't think he really pulls off writing from Joanna's perspective). Seriously creepy and - unfortunately - still painfully relevant, as Lenz points out.