Paperback, 344 pages
Published July 1, 2004 by Constable and Robinson.
A Student of Weather is the brilliant first novel by acclaimed storywriter, Elizabeth Hay. It tells the story of the rivalry between two contrasting sisters and of a stranger who changes both of their lives forever. Spanning thirty years, it opens in the Prairie Dust Bowl of the 1930s and, later, in the decades following the war, moves back and forth between Ottawa and New York City.
Maurice Dove is a visitor to the Saskatchewan farm of widower Ernest Hardy. The relationship he forms with Hardy's daughters—the beautiful, virtuous Lucinda and the dark, intelligent, younger Norma-Joyce—gives rise to an act of betrayal that throws into relief the deep-rooted enmity between them. Norma-Joyce's life, from the time she is eight, is fueled by her obsessive (and unrequited) love for Maurice Dove. Later, in pursuing her life as an artist, she makes discoveries about her past that bring the story full-circle.
Hay's …
A Student of Weather is the brilliant first novel by acclaimed storywriter, Elizabeth Hay. It tells the story of the rivalry between two contrasting sisters and of a stranger who changes both of their lives forever. Spanning thirty years, it opens in the Prairie Dust Bowl of the 1930s and, later, in the decades following the war, moves back and forth between Ottawa and New York City.
Maurice Dove is a visitor to the Saskatchewan farm of widower Ernest Hardy. The relationship he forms with Hardy's daughters—the beautiful, virtuous Lucinda and the dark, intelligent, younger Norma-Joyce—gives rise to an act of betrayal that throws into relief the deep-rooted enmity between them. Norma-Joyce's life, from the time she is eight, is fueled by her obsessive (and unrequited) love for Maurice Dove. Later, in pursuing her life as an artist, she makes discoveries about her past that bring the story full-circle.
Hay's evocation of place is palpable, vivid; her characters at once eccentric and familiar. Norma-Joyce, once a strange, dark, self-possessed child, becomes a woman who learns something about self-forgiveness and of the redemptive power of art. Hay's writing is spare, richly textured, dark and erotic. The physical and emotional landscapes she portrays evoke tragic and comic surprises, and remind us about the lasting imprint of first love.
Elizabeth Hay writes memorable characters. Their motivations may surprise or elude me, but they are always palpable and vulnerable. Norma Joyce, Maurice and Lucinda explore landscapes of love and desire, duty and whim in this Canadian novel set in both Saskatchewan and Ottawa in the 20th century.
