Paperback, 448 pages
Published Aug. 6, 2019 by Tor.com.
Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as skillfully animated as arcane revenants. The result is a heart-pounding epic science fantasy.
Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won’t set her free without a service.
Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will be become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their …
Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as skillfully animated as arcane revenants. The result is a heart-pounding epic science fantasy.
Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won’t set her free without a service.
Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will be become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon’s sword, Harrow will fail, and the Ninth House will die.
Of course, some things are better left dead.
I found the writing style to be tedious and unappealing. I ended up quitting this one after only a couple of chapters.
magic, lesbians, and sci fi. solid genre work from start to finish.
Now I didn't, but I liked a bunch of things that it does. I enjoyed reading it, but I'm not eager to continue with the series.
Just incredible. Pretty rare to find such and imaginative and rich world built into such a compelling narrative that is SO FUN. It's funny, heartbreaking, action-packed, mesmerizing, and thoughtful all at once. Can't wait to read the rest.
Oh my GOD did I love this book! I didn't head into it with very high hopes even, as I've been let down by highly rated and recommended books before. While initially I was a little put off at some of the Marvel-movie-esque dialogue from the protagonist, I slowly settled into loving every bit of every single character written in this universe. To the point where "turbo cancer" absolutely took me out in the best way.
Muir has done an incredible job at crafting both an incredibly in-depth world and magic system. With such beautiful and ornate descriptions let you picture every single thing in remarkable clarity. As I mentioned prior, she's also crafted so many well rounded and intriguing characters that I wanted to know more about every. single. one of them. Even the assholes. I find most authors are either good at building worlds or building characters, Muir …
Oh my GOD did I love this book! I didn't head into it with very high hopes even, as I've been let down by highly rated and recommended books before. While initially I was a little put off at some of the Marvel-movie-esque dialogue from the protagonist, I slowly settled into loving every bit of every single character written in this universe. To the point where "turbo cancer" absolutely took me out in the best way.
Muir has done an incredible job at crafting both an incredibly in-depth world and magic system. With such beautiful and ornate descriptions let you picture every single thing in remarkable clarity. As I mentioned prior, she's also crafted so many well rounded and intriguing characters that I wanted to know more about every. single. one of them. Even the assholes. I find most authors are either good at building worlds or building characters, Muir has shown to be so amazing at both I wouldn't be surprised at all if she was two people in one body!
I'm immediately moving on to the next in the series because I cannot bear to be away from this world and the characters a day longer.
Runs on Rule of Cool, nothing strictly makes sense, but that's ok. I feel like this is the apex of a certain genre of young adult novels - the ones with factions and theming and everything. It's really well-written and having fun with it.
Refreshingly free of hetero plots.
Shallow, or at least nothing in it to interest me specifically. I will not be prioritizing the sequels.
I'm not into horror. Period. Don't like to read it, don't like to watch it. Don't even really like to hear it talked about. But this was a good ride, engaging, with profoundly beautiful visual description. It managed to be quite long and complex, and yet still relatively simple too. It turned cliches about and brought them back with something new.
I actually read the bulk of this over a couple of days, after starting but needing to put it aside. Once I returned to the story, it was difficult to put down. Part of that was trying to untangle the threads of mysterious and confusing characters and plot that wanders between horror and action - this is not a complaint! I will admit that some of the lesser characters take some work to keep straight, but there is a glossary in the back [which I actually didn't even know about until I'd finished] and the longer you read, the more defined the supporting cast becomes. Gideon herself is an amazingly fun MC to follow; her snappy retorts and underlying kindness won me over. And her background story is... well, I don't want to spoiler but there's a lot to make you uncomfortable and sympathetic. Speaking of uncomfortable, I've seen mention …
I actually read the bulk of this over a couple of days, after starting but needing to put it aside. Once I returned to the story, it was difficult to put down. Part of that was trying to untangle the threads of mysterious and confusing characters and plot that wanders between horror and action - this is not a complaint! I will admit that some of the lesser characters take some work to keep straight, but there is a glossary in the back [which I actually didn't even know about until I'd finished] and the longer you read, the more defined the supporting cast becomes. Gideon herself is an amazingly fun MC to follow; her snappy retorts and underlying kindness won me over. And her background story is... well, I don't want to spoiler but there's a lot to make you uncomfortable and sympathetic. Speaking of uncomfortable, I've seen mention from others about how some of the relationships in this book made them uncomfortable, and I agree but I think that's part of what makes the reveals at the end so impactful. The Ninth House is filled with secrets and those secrets exact a terrible price. I have a feeling that the next book in the series will be dealing more with exactly how dear the cost is, and I am looking forward to reading it.
Amazing the second time again. There is so much foreshadowing in this book, that an additional read through is really worth it. Moving directly into Harrow the Ninth.
I'm not sure how else to describe Gideon. The dark atmosphere of the book is one that I really enjoy. It's got little twists and turns. I found it easy to settle in with and difficult to put down.
I loved Gideon as a character and her relationship with Harrow. But that's about it. The book is written in a very confusing way. For example, all the characters are dumped at once into your lap without any sort of introduction, and it's hard to know what's happening in particular scenes. <spoiler> Because of this, it was impossible for me to connect with any character other than Gideon and Harrow, so I really didn't care as they died... and by the time all the revelations came I was so bored I didn't care either. I also think the ending was terrible.</spoiler>
Schönes Setting, doch zu wenig ausgebaut bisher die Welt. Manche Charas hätten spannend sein können, blieben aber zu oberflächlich, insbesondere halt 90% der Leute aus den anderen Häusern. Der Mittelteil war verworren, der Showdown dafür all over the place?! Werde mir die zwei Folge-Bücher mal anschauen. Mit gefiel auf jeden Fall der space goth Aspekt davon sehr.
I loved the characters in this book. Enough so that I greatly look forward to the next in the series. I did find the story structure telling a little light, and it often reminded me of epic adult Scooby Doo. It's a hybrid of the jaded millennial reluctantly participating in society (but on their own terms) and a Shakespeare-ian 5-act play, where the protagonist forms a band who tries to unmask the monster clue by clue. The telling was still lots of fun. I guess it just felt like it couldn't decide if it was quirky pop comedy or something deeper.
Durante más de la mitad del libro no tenía ni idea de que iba,pero aún así me tenía enganchadisimo. A ver cuándo puedo poner las manos encima de la segunda parte.
Count me as one of the people who really can't stand the author's extremely strong authorial voice. Sometimes it was genuinely funny and I loved it but it was SO omnipresent and overbearing that eventually it felt like I was being told a pretty interesting scifi/fantasy story by someone who desperately needs me to find them hilarious.
I love the world it's set in, I love the whole goth cultists in space thing. I don't like the protagonist and I don't like that most of the characters are emotionally confused teenagers. It feels like I was tricked into reading a mislabeled YA novel. And like, YA is fine, but I like to know what I'm getting into ahead of time?
I think that if your sense of humor aligns with the author you might love this novel! But if you don't, you might hate it.
