Paperback, 368 pages
English language
Published April 1, 2025 by Avid Reader Press, Simon & Schuster.
Unexpectedly funny! Good story too: a handful of people across history are brought to the near future before their recorded deaths. The main “expat” is Commander Graham Gore, an arctic explorer from 1847 whose priggishness is endlessly entertaining (I’m an unrepentant Darcy lover). A romance, like in many stories where the tension is better than consummation, ruins it though.
It's hard to call this scifi since it's written so well. It is more of a literary achievement.
That said, as I am from the US, much of the UK vernacular was lost on me. But more than that, although I consider myself at least somewhat worldly, the character's motivations and emotions came a bit too quickly and deeply for me to keep up. (I only had one critical literature course in university.) It was quite interesting to experience though.
I might have to reread to see if I can catch more.
It's hard to call this scifi since it's written so well. It is more of a literary achievement.
That said, as I am from the US, much of the UK vernacular was lost on me. But more than that, although I consider myself at least somewhat worldly, the character's motivations and emotions came a bit too quickly and deeply for me to keep up. (I only had one critical literature course in university.) It was quite interesting to experience though.
I might have to reread to see if I can catch more.
I expected something sharper but no regrets on the read. Some good use of language (+1)
Content warning Vague discussion of ending
I loved this book as I read it. It probably helps that I identified with bits of the [unnamed but clearly an authorial self-insert] narrator/protagonist's experiences from before the book started; more on that in a moment. But it's also an entertaining story, and very engagingly written - many chapters had me laughing out loud at key moments even though the book's in no way a comedy overall.
Much of the book feels like a very sharp criticism of British society--I identified strongly with the narrator's endless experiences of people putting their assumptions over her experience, and needing to remind her that she doesn't quite fit in--and of the government / civil service's overconfidence in its own intrinsic goodness. In the face of that it was at times frustrating seeing the protagonist be so deeply invested in the Ministry and her job standing in it, but if I take a more critical eye to myself it becomes easy to understand as a reaction to that never quite being allowed to fit in. That part cut deep for me personally.
I also appreciated how much the book is also a lockdown story. I've been grumbling lately about how little art I've encountered that seems to process the covid pandemic and the experience of lockdowns in retrospect. And here came this book, clearly using the roommates-in-hiding portion of its arc to work through some feelings about that experience. More of this please!
The ending felt... not exactly too neat in that it does leave some ambiguity, but too abrupt. It felt like most of the story proceeded at a fairly comfortable pace, and then suddenly the author felt a need to bring it to a close with a sharp turn.
I found this to be enjoyable, but it jumped around between the genres too much for my liking.
It really irked me that the MC never gets named. It was at least bearable due to the perspective being almost entirely from her point of view, but with how much she interacts with the other characters, it drove me a little bonkers that she was never called by any name.
I'm glad that I read this still, but it's not one that I'm ever going to have an interest in revisiting.
#SFFBookClub May 2025
I found this to be enjoyable, but it jumped around between the genres too much for my liking.
It really irked me that the MC never gets named. It was at least bearable due to the perspective being almost entirely from her point of view, but with how much she interacts with the other characters, it drove me a little bonkers that she was never called by any name.
I'm glad that I read this still, but it's not one that I'm ever going to have an interest in revisiting.
#SFFBookClub May 2025
I really enjoyed The Ministry of Time.
I was frustrated with the protagonist for big chunks of the book for not realizing obvious things. The author repeatedly tried to defend this with "I bet you're thinking 'I would have realized this right away', but" and in a world where I know time travel exists, I absolutely would!
However, the writing is very good, and it kept me engaged. The combination of themes around time travel, colonialism, and refugee life really worked, and I feel like it allowed them to be explored from different angles.
I'm kind of let down by the inconclusiveness of the ending, but on the other hand they avoided most of the cliché time travel tropes, so overall I guess it balances out.
I really enjoyed The Ministry of Time.
I was frustrated with the protagonist for big chunks of the book for not realizing obvious things. The author repeatedly tried to defend this with "I bet you're thinking 'I would have realized this right away', but" and in a world where I know time travel exists, I absolutely would!
However, the writing is very good, and it kept me engaged. The combination of themes around time travel, colonialism, and refugee life really worked, and I feel like it allowed them to be explored from different angles.
I'm kind of let down by the inconclusiveness of the ending, but on the other hand they avoided most of the cliché time travel tropes, so overall I guess it balances out.
Overall, I love this novel's ideas but the genres it mixes together work against each other rather than being stronger for the combination.
(also please name your protagonist, it's so awkward, thank you)
I found the writing here to be surprisingly funny and engaging. The dialogue between the protagonist and Graham continually made me laugh, and the book is peppered with delightful drive-by analogies like "he looked oddly formal, as if he was the sole person in serif font" or "I lay in my own body like a wretched sandbank".
The strongest part of the book to me (and the part that I found the most engaging) was the relationship and dialogue between the protagonist and Graham. A 19th century sailor is a great foil for modern London life; however, it also does a good job of making both the protagonist and Graham real, fallible characters who …
Overall, I love this novel's ideas but the genres it mixes together work against each other rather than being stronger for the combination.
(also please name your protagonist, it's so awkward, thank you)
I found the writing here to be surprisingly funny and engaging. The dialogue between the protagonist and Graham continually made me laugh, and the book is peppered with delightful drive-by analogies like "he looked oddly formal, as if he was the sole person in serif font" or "I lay in my own body like a wretched sandbank".
The strongest part of the book to me (and the part that I found the most engaging) was the relationship and dialogue between the protagonist and Graham. A 19th century sailor is a great foil for modern London life; however, it also does a good job of making both the protagonist and Graham real, fallible characters who each make incorrect assumptions about the other. One other way this relationship also works for me is that it lets the book delve into the parallels of being an expat forced into a new time versus a new place work really well, or of not being be able to go "back".
However, the construction seams of this novel show, and that's where it gets weak. The more "serious" time travel and time war shenanigans feel tacked on, and thematically don't really integrate with the rest of the story (tonally or thematically). As a time travel story, it's not doing anything particularly novel here, and these bits weaken the rest of the novel.
(This was the #SFFBookClub book for May 2025.)
I’m only knocking a star because to some degree it feels like pretty familiar ground but regardless what is here is very well written and a strong story. A woman trying to get ahead in her civil service career in the Britain ends up transferring from languages to a secret project that turns out to be being a handler for time traveler yanked from the past where he would have died on an expedition.
The relationships are great and fully realized especially and the story is pretty interesting even if it goes a little hand-wavey on the time travel and consequences bits. Would recommend.
I read the "The ministry of time" by Kaliane Bradley in a few nights, I simply couldn't put it down. A gripping story of time travel as much as a thoughtful reflection on structural power. I adored how she elegantly broaches the subjects of colonialism, racism and sexism simply through who her characters are. The structural power relations between them drive the story as much as the romantic angle (which was also very neatly done, btw).
I read the "The ministry of time" by Kaliane Bradley in a few nights, I simply couldn't put it down. A gripping story of time travel as much as a thoughtful reflection on structural power. I adored how she elegantly broaches the subjects of colonialism, racism and sexism simply through who her characters are. The structural power relations between them drive the story as much as the romantic angle (which was also very neatly done, btw).
I read the "The ministry of time" by Kaliane Bradley in a few nights, I simply couldn't put it down. A gripping story of time travel as much as a thoughtful reflection on structural power. I adored how she elegantly broaches the subjects of colonialism, racism and sexism simply through who her characters are. The structural power relations between them drive the story as much as the romantic angle (which was also very neatly done, btw).
I read the "The ministry of time" by Kaliane Bradley in a few nights, I simply couldn't put it down. A gripping story of time travel as much as a thoughtful reflection on structural power. I adored how she elegantly broaches the subjects of colonialism, racism and sexism simply through who her characters are. The structural power relations between them drive the story as much as the romantic angle (which was also very neatly done, btw).
This reminded me somewhat of "The Echo Wife" by Sarah Gailey in that it's science fiction turned inwards rather than outwards, focused on the individual rather than the grand sweep of history. Considering that time travel is a central part of the story, that's an interesting choice, but honestly I think it's a bit inspired, because it's a reflection of the main character's myopia regarding her place in her society and in history. A couple elements weren't inspired: there's a lack of explanations about certain characters and events and there's a twist that's probably obvious to those who pay attention to the signs of such things. Still, thought-provoking overall, and sad and sweet in equal measure.
This reminded me somewhat of "The Echo Wife" by Sarah Gailey in that it's science fiction turned inwards rather than outwards, focused on the individual rather than the grand sweep of history. Considering that time travel is a central part of the story, that's an interesting choice, but honestly I think it's a bit inspired, because it's a reflection of the main character's myopia regarding her place in her society and in history. A couple elements weren't inspired: there's a lack of explanations about certain characters and events and there's a twist that's probably obvious to those who pay attention to the signs of such things. Still, thought-provoking overall, and sad and sweet in equal measure.
Excellent read!
I enjoyed this and thought it was an inventive story. Apparently, some readers didn't like the writing, but I thought it was fine (OK, there were a lot of similes; I noticed that, but it didn't bother me). I guess I would describe it as mostly a romance, with sci fi, historical and thriller elements. Some of the romance stuff didn't completely work for me (e.g., an expat gets to the point where he's regularly using a motorbike, a cell phone and a laptop, and yet somehow he still has Victorian ideas about courting). However, the sci fi/thriller aspects kicked into higher gear in a pretty satisfying way toward the end. I liked the tie-in with the Franklin expedition and was glad to see AMC's The Terror thanked in the acknowledgments.
I enjoyed this and thought it was an inventive story. Apparently, some readers didn't like the writing, but I thought it was fine (OK, there were a lot of similes; I noticed that, but it didn't bother me). I guess I would describe it as mostly a romance, with sci fi, historical and thriller elements. Some of the romance stuff didn't completely work for me (e.g., an expat gets to the point where he's regularly using a motorbike, a cell phone and a laptop, and yet somehow he still has Victorian ideas about courting). However, the sci fi/thriller aspects kicked into higher gear in a pretty satisfying way toward the end. I liked the tie-in with the Franklin expedition and was glad to see AMC's The Terror thanked in the acknowledgments.
I'd be curious what genre readers enjoy this, as it choppily blends historical fiction, romance, time travel, spy thriller, and reflections on genocide. Only the first two seem a strength here, and they're not my taste, but I would have settled in more easily for a slow burn romance across the last few centuries if the author hadn't kept interrupting me with the rest.
I'd be curious what genre readers enjoy this, as it choppily blends historical fiction, romance, time travel, spy thriller, and reflections on genocide. Only the first two seem a strength here, and they're not my taste, but I would have settled in more easily for a slow burn romance across the last few centuries if the author hadn't kept interrupting me with the rest.
Time travel stories usually follow the exploits of someone rocketing through time to change history. This person ponders the various time travel paradoxes or wrestles with the implications of an ever-splitting multiverse. All of which is to say that Kaliane Bradley’s The Ministry of Time is a unique look at the perils of time travel. Instead of travelers deliberately injecting themselves into history, a mysterious British Agency has used a recovered time machine to “rescue” five Britons from the past from their inevitable deaths by pulling them into a future ravaged by climate change. Our narrator is one of the few civil servants in on the secret, selected to help acclimate one of the “expats” to life in the twenty-first century...
Read the rest of my review at A Bookish Type. I received a free copy of this book from the publisher via NetGalley, for review consideration.
