The Picture of Dorian Gray

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Oscar Wilde: The Picture of Dorian Gray (1890, Lippincott's Monthly Magazine)

English language

Published July 16, 1890 by Lippincott's Monthly Magazine.

OCLC Number:
3407

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4 stars (23 reviews)

The Picture of Dorian Gray is a Gothic and philosophical novel by Oscar Wilde, first published complete in the July 1890 issue of Lippincott's Monthly Magazine. Fearing the story was indecent, prior to publication the magazine's editor deleted roughly five hundred words without Wilde's knowledge. Despite that censorship, The Picture of Dorian Gray offended the moral sensibilities of British book reviewers, some of whom said that Oscar Wilde merited prosecution for violating the laws guarding public morality. In response, Wilde aggressively defended his novel and art in correspondence with the British press, although he personally made excisions of some of the most controversial material when revising and lengthening the story for book publication the following year. The longer and revised version of The Picture of Dorian Gray published in book form in 1891 featured an aphoristic preface—a defence of the artist's rights and of art for art's sake—based in part …

156 editions

Review of 'The picture of Dorian Gray' on 'Goodreads'

5 stars

On one level it's an enjoyable gothic horror/comedic classic, with very "extra" characters swooning around and making declarations.
But considering Wilde's own life and his very public conduct thereof, it's just a tragic self-portrait of a man wracked by guilt and shame and a public who validated his self-condemnation.
Lord Henry's outrageous inversions of common values are often comedic nonsense. But sometimes they seem more authentic than the original sentiment they play off, and it's those moments when Wilde's self-flagellation is paused and his punishing art hits society broadside. Hey wait, what? He must have seemed like such a troll to the Victorians.

Review of 'Picture of Dorian Gray' on 'Goodreads'

5 stars

For such a small novel, there is plenty of content. And that is how it should be, for if the main theme is Art (as the prologue might suggest)it ought to be complicated and thoughtful. After all, how would you answer the question: what is art?

In Wilde's only novel, Art is personified in Dorian Gray. The artists (there are two, Basil and Lord Henry)each contribute to this Art in their own way, and together with Dorian Gray, prove that "Art is quite useless." But what draws us to the Art? What is its soul? Is it constant like the Dorian's youth or does it change like his portrait in the attic? Does the application of Art determine its morality? Does it have morality?

This, of course, is just one layer of this insanely complex novel. It is also an analysis of a sort of nihilism, of innocence vs. experience, …

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