Optional reviewed Romeo and Juliet by William Shakespeare (Annotated Shakespeare)
Poetry to die for
5 stars
Do read it, no question. Full review here.
Queer girl reading
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Do read it, no question. Full review here.
The added study/analysis guide was a bit too much for me and I think a regular edition would've fit me better. Especially the in-line annotations were distracting as the original text really is very readable.
Francis Gilbert is very passionate about the story, which really comes through in his reading on YouTube which I'd recommend.
A review of the actual story will follow.
Für den Couchtisch oder als Geschenk genial, für die konzentrierte Lektüre dann doch ein bisschen dünn. Ganzes Review hier.
Definitiv nicht verkehrt das hier zu lesen, explizit empfehlen würde ich es aber nicht. Ganzes Review hier.
Full review here. (This review was lost when the instance went down, so here it is again)
I guess it's short, so it's not a huge waste to read it, but there's definitely better stuff out there. Full review here.
Nothing really inspiring. The film Drive My Car is based on two of the better ones and adds so much more; Go watch that instead. Full review here.
Go watch the movie instead. Full review here.
The two planets Anarres and Urras are each other's moons, yet the people living on them hardly know what it's like on the other planet. All they know is that Urras is an archist society, while the people of Anarres are anarchists.
In this book we follow Shevek, a scientist from Anarres, who travels to Urras in a mission to facilitate interplanetary understanding. Every other chapter switches between past and present (or future and further future) and we thus get introduced to Shevek on Anarres and what led him to go to Urras while we also learn about him on Urras and how his mission is going.
But the book is not actually that interested in Shevek's story. Much time is spent showing us the workings (and failings) of Anarres' anarchist society: The education system, job distribution, living arrangements, romantic partnership, etc. Similarly, the chapters on capitalist and archist Urras …
The two planets Anarres and Urras are each other's moons, yet the people living on them hardly know what it's like on the other planet. All they know is that Urras is an archist society, while the people of Anarres are anarchists.
In this book we follow Shevek, a scientist from Anarres, who travels to Urras in a mission to facilitate interplanetary understanding. Every other chapter switches between past and present (or future and further future) and we thus get introduced to Shevek on Anarres and what led him to go to Urras while we also learn about him on Urras and how his mission is going.
But the book is not actually that interested in Shevek's story. Much time is spent showing us the workings (and failings) of Anarres' anarchist society: The education system, job distribution, living arrangements, romantic partnership, etc. Similarly, the chapters on capitalist and archist Urras further explores anarchism through Urras' people arguing with Shevek. Of course, we also learn about Urras' society, but any politically literate person should already know about such topics as wasteful production, poverty, police brutality, greed, etc.
Urras is obviously not presented as "the good ones", but Anarres isn't shown through rose-colored glasses either. It too is corrupted by power and is by no means a paradise. It's still a society made up of humans that can be shitty to each other.
In the end world building takes a bit of a backseat as Shevek's story becomes more important, but he is a stand-in for anyone. This story is not about a physicist—or an anarchist diplomat. It's about what justice, shame and greed are. What role art and science plays in politics. It's about what freedom means in a society.
One star is docked for a sexual assault that occurs somewhere in the middle. I don't have a problem with that topic popping up in general, but the way it enters into this story is just baffling: The people of Anarres are always painted as very conscious of power imbalances, going so far as describing sex as "copulating" as that is supposedly the only word that does not carry heavy undertones of something being done by one party to the other, but rather something done together. And still one of these folks does not understand the concept of consent! And it's not portrayed as that one person being "one of the bad ones". It would have needed more set up or explanation to be valuable.
Dieser Band versammelt fünf Texte über Digitale Bildkulturen. Die ersten zwei, "Gifs" und "Meme" sind realitätsfern, was heutige Internetkulturen angeht.
Weiter geht es mit "Modebilder", einem spannenden Text, der Instagram-Infulencerinnen in einen geschichtlichen Kontext der letzten 50 Jahre setzt. Wenn es um die immer gleich erscheinenden Bildmotive geht, wie sie Bo Burnham in "White Woman's Instagram" kritisiert, wird hier auch ein interessantes Argument konstruiert, welches diesen Bildern sehr wohl schöpferische Selbstbestimmung zuspricht. Und auch zur Kritik an repitiven Designs in High-Fashion wird ein Gegenpol eröffnet.
"Bodybilder" handelt von der Gestaltung von Gyms und den Social Media Kanälen von Fitness-Infulencer*innen. Hierbei wird ausgelotet, ob nun die Spiegel oder die Selfie-Kameras die "Wahrheit" über abgebildete Körper offenbaren und wie Corona das Denken über Fitnesstraining beeinflusst hat.
"Gesichtserkennung" schließlich befasst sich mit biases der Gesichtserkennung und geht über das Argument "Garbage In, Garbage Out" hinaus und stellt auch die Architektur von …
Dieser Band versammelt fünf Texte über Digitale Bildkulturen. Die ersten zwei, "Gifs" und "Meme" sind realitätsfern, was heutige Internetkulturen angeht.
Weiter geht es mit "Modebilder", einem spannenden Text, der Instagram-Infulencerinnen in einen geschichtlichen Kontext der letzten 50 Jahre setzt. Wenn es um die immer gleich erscheinenden Bildmotive geht, wie sie Bo Burnham in "White Woman's Instagram" kritisiert, wird hier auch ein interessantes Argument konstruiert, welches diesen Bildern sehr wohl schöpferische Selbstbestimmung zuspricht. Und auch zur Kritik an repitiven Designs in High-Fashion wird ein Gegenpol eröffnet.
"Bodybilder" handelt von der Gestaltung von Gyms und den Social Media Kanälen von Fitness-Infulencer*innen. Hierbei wird ausgelotet, ob nun die Spiegel oder die Selfie-Kameras die "Wahrheit" über abgebildete Körper offenbaren und wie Corona das Denken über Fitnesstraining beeinflusst hat.
"Gesichtserkennung" schließlich befasst sich mit biases der Gesichtserkennung und geht über das Argument "Garbage In, Garbage Out" hinaus und stellt auch die Architektur von Gesichtserkennungssoftware in Frage. Maskierung und Bildgeneration sind auch noch kurz Thema.
Obwohl die ersten zwei Texte wenig wert haben, setzen die anderen drei Texte spannende Schwerpunkte, die sie genügend breit—aber auch tief—ausleuchten.
This novel takes a satirical look at Brexit and the populism surrounding it. It is quite humorous in its descriptions of politicians' day-to-day and a quick read. Its ties to Franz Kafka's Metamorphosis are loose and only extend to mirroring the opening lines describing a human-insect-transformation. Neither the writing style nor the explored topics are very Kafkaesque.
The focus is disappointingly shallow, namely the politicians and the absurdity of their politics and behaviour. How exactly this fits with (the will of) the people is not explored to a satisfying conclusion. After reading—as before—we are wondering how such a thing as Brexit could happen and why the politicians went through with it and why the people voted for it.