Hardcover, 720 pages

French language

Published Oct. 1, 2020 by ROBERT LAFFONT.

ISBN:
978-2-221-24948-2
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Le chef-d'oeuvre absolu de la science-fiction. Édition du cinquantenaire. Traduction revue et corrigée.

Il n'y a pas, dans tout l'Empire, de planète plus inhospitalière que Dune. Partout du sable, à perte de vue. Une seule richesse : l'épice de longue vie, née du désert et que l'univers tout entier convoite.

Préfaces de Denis Villeneuve et Pierre Bordage. Postface de Gérard Klein. Traduit de l'anglais (États-Unis) par Michel Demuth.

65 editions

2018: too slow. 2025: loved it

2018 read: 5 stars because it was so interesting, but was a 1-star slog to get through.

2025 re-read: 5 stars on all fronts; guessing I was just not in the mood for this pacing the last time around. Loved so much about this book. Would re-read again now and excited to continue to the next books.

Dune is Dune

Since I watched the movies first, I was happy to have one of my main fears dissapear completely during the first couple chapters. Many of the plot twists present on both movies are actually things the reader just knows from the start. The betrayal and the plot against House Atreides, the people behind it and the reason for it can be inferred quickly enough.

Herbert’s confidence in the world he wrote can end up being too much to a lot of people. From the beginning of the novel, characters throw around a lot of made up terms that can be confusing, and in a setting where Dukes, Counts and Emperors, Great Houses and Cults are still a thing, alongside intergalactic travel and human calculators, the politics and relationships of it all are quite complex.

The book doesn’t hold your hand at all. There are references and intriguing events …

expansive universe, exhausting writing style

it took me ages to get through this. not because it's bad, probably mostly because i repaired my computer and had.. other things on my mind. but also partly because herbert's style reminds me of tolkien. like, a lot. at least in the sense that herbert really wants you to read his mediocre poetry too.

this isn't bad by any means, and i will surely read on in the future. probably around the time the second movie hits. the characters are fleshed-out and there's surprisingly little overt misogyny for a science fiction book that is, at this point, positively ancient. it's just the constant internal monologuing and then rushing through the actual happenings that gets exhausting after a while.

Review of 'Dune' on 'Goodreads'

Reading this again, I am struck by just how immersive the novel is. The world building is still incredible and so many themes and ideas are so densely packed, that this is a novel that really does reward the reader willing to lock themselves away in order to really spend time on Arrakis.

Review of 'Dune (Dune Chronicles #1)' on 'Goodreads'

Great world-building, great story, but only "okay" story telling. Despite being a long book, the ending feels like it rushes to a conclusion.

Important characters are introduced out of whole cloth, familiar characters from the beginning of the book are changed, but in ways that don't feel authentic. The emotional dynamics in this book have potential, but are never explored, because of the need for the characters to be superhumans with exquisite control of their minds and bodies.

The uberman thing is fun for a while, but story lines with them are always limited to "he gains control" or "he wasn't really an uberman." This book has a reputation for being a more "mature" sci-fi book with political machinations and backroom deals, but it didn't seem to follow the rules of politics or human motivation that exist in our world. I think Gordon R Dickson's "Tactics of Mistake" in his …

Review of 'Dune (Dune Chronicles #1)' on 'Goodreads'

Yesterday, I was breathing in the aroma of some freshly roasted coffee, thinking, I'd love to be a coffee miner if that's how it was obtained.

reviewed Dune by Frank Herbert (Dune, #1)

Review of 'Dune (Dune Chronicles #1)' on 'Goodreads'

I always find reading Dune to be a bit of an odd experience. For the first eighty pages or so, things move quite slowly, a large cast of characters - some more significant than others - are introduced. So much is set up with so little explanation that the novel almost sinks under the weight of its own inventiveness.

Then, somewhere around page 100, everything clicks and I am sucked in until the end of the book - appendices and all.

Dune is one of the very few stories that can genuinely be called epic. In scope and depth, the novel is both massive and brilliantly visualised right down to the smallest detail.

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